About 1890 he became associated with the Rosicrucian movement and wrote several works under its influence, notably the Messe des pauvres (composed 1895; Mass of the Poor). The first American publication of the piece was in Art News Annual, vol. Let us know if you have suggestions to improve this article (requires login). Updates? His best known musical compositions are the three piano pieces which he called Gymnopédies. The first biography was that in French by Pierre-Daniel Templier in 1932 Erik Satie, and that was still untranslated into English when this volume was published in 1948.Having read both of these early bios back to back, I find that in some chapters that Rollo Myers was … Encyclopaedia Britannica's editors oversee subject areas in which they have extensive knowledge, whether from years of experience gained by working on that content or via study for an advanced degree.... Get a Britannica Premium subscription and gain access to exclusive content. Satie’s flippancy and eccentricity, an intimate part of his musical aesthetic, epitomized the avant-garde ideal of a fusion of art and life into an often startling but unified personality. His music took on a more academic and rigorous quality and also began to exhibit the dry wit that would become hallmarks of his style. The years following his military service formed a bohemian period in Satie's life, the most significant events of which would be the beginnings of his friendship with Debussy, his exposure to eastern music at the Paris World Exhibition, and his association with a number of philosophical and religious organizations (most notably the Rosicrucian Brotherhood). Erik Satie Musique sifflee (Le siffleur-Clodine Tardy) 29e Festival des vendanges (arts de la rue) Suresnes 2012.ogv 1 min 43 s, 640 × 480; 28.79 MB Erik Satie Trois Mélodies 1917 sheet music cover.jpg 610 × 789; 140 KB Erik Satie was an important French composer from the generation of Debussy. He often gave his music unusual titles such as Piece in the form of a pear. Satie’s music represents the first definite break with 19th-century French Romanticism; it also stands in opposition to the works of composer Claude Debussy. Corrections? His mother Jane Leslie Anton was of Scottish origin. Satie was nonetheless deeply admired by composers of the rank of Darius Milhaud, Maurice Ravel, and, in particular, Claude Debussy—of whom he was an intimate friend for close to 30 years. Trivia (25) While every effort has been made to follow citation style rules, there may be some discrepancies. Erik Satie négyéves korában az alsó-normandiai Honfleur városkából Párizsba költözött a családjával, mert édesapja, Alfred Satie a fővárosban kapott fordítói állást. His influence on French composers of the early 20th century and on the later school of Neoclassicism was profound. Support the channel: https://lentovivace.bandcamp.com https://www.patreon.com/classicalnerd A look at "the Velvet Gentleman." This desire is reflected in piano pieces such as Trois Gnossiennes (1890), notated without bar lines or key signatures. He received the last rites of the Catholic Church in his final days and died on July 1, 1925. Ring in the new year with a Britannica Membership, This article was most recently revised and updated by, https://www.britannica.com/biography/Erik-Satie, Erik Satie - Student Encyclopedia (Ages 11 and up). Satie wrote music known for eccentric titles and performance directions, unique sound, and lack of allegiance to any one aesthetic. While he progressed during this period, he showed no unusual gifts. In his last decade, he turned out several ballets, including Parade and Relâche, indicating his growing predilection for program and theater music. Please refer to the appropriate style manual or other sources if you have any questions. Satie wrote music known for eccentric titles and performance directions, unique sound, and lack of allegiance to any one aesthetic. Read Full Biography… That same year, his first works were published: Elégie, Trois Mélodies, and Chanson. The piece was first printed in 1949 (in facsimile form, by John Cage in Contrepoints No. He died on July 1, 1925 in Paris, France. Satie wrote music known for eccentric titles and performance directions, unique sound, and lack of allegiance to any one aesthetic. Some of his works also featured odd instructions for the performer, not intended to be taken seriously, as in his 1893 piano work, Vexations, which carries the admonition in the score, "To play this motif 840 times in succession, it would be advisable to prepare oneself beforehand, in the deepest silence, by serious immobilities.". Other early piano pieces, such as Trois Sarabandes (1887) and Trois Gymnopédies (1888), use then-novel chords that reveal him as a pioneer in harmony. The word Surrealism was used for the first time in Guillaume Apollinaire’s program notes for Parade. In 1893, when he was 27, Satie had a stormy affair with the painter Suzanne Valadon. Erik Satie (born Honfleur (France), 17 May 1866; died Paris, 1 July 1925) was a French composer. However, his grandmother drowned, so he was sent back to Paris again where his father taught him. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. IES 73 Year/Date of Composition Y/D of Comp. Toe Satie vier jaar oud was het sy gesin na Parys verhuis, nadat sy vader 'n pos as vertaler in die hoofstad aangebied is. Of the several books on Erik Satie which I have read, this one is the most extensive. Erik Satie (1866-1925) was an eccentric but important French composer. Many of his compositions received odd titles, especially after 1910, such as Dried up embryos and Three real flabby preludes (for a dog). The Allmusic review stated "The Minimalism of Erik Satie is a rare example of the pairing of jazz and classical that actually works on both ends. Éric Alfred Leslie Satie, assinando como Erik Satie a partir de 1884, (Honfleur, 17 de Maio de 1866 — Paris, 1 de Julho de 1925) foi um compositor e pianista francês. 1902 First Pub lication. My piece of work – which has eventually acquired the title Erik Satie: Memoirs of a Pear-Shaped Life – is an act of assembly, the weaving of carefully-selected and -placed - … 1872 -ben anyja, Jane Leslie Anton halála után öccsével, Conraddal visszaköltöztek Honfleurbe az apai nagyszülőkhöz. Erik Satie Biography, Life, Interesting Facts Erik Satie was born on May 17, 1866, in Honfleur, France. Satie’s masterpiece, Socrate for four sopranos and chamber orchestra (1918), is based on the dialogues of Plato. Much of his music has a subdued character, and its charm comes through in its directness and lack of allegiance to any one aesthetic. Today he is best known to us through his well-loved Gymnopédies, the small melancholic piano pieces from 1890, but at the time of his death in 1925, Satie was barely known beyond the city limits of Paris. His father had married again. Beginning in 1905, he studied at the Schola Cantorum under Vincent d’Indy and Albert Roussel for three years. Erik Alfred Leslie Satie was born in the coastal town of Honfleur in the Normandy region of France on 17 May 1866. Erik Satie was born at Honfleur, and his home there is now open to the public. As a child, Satie showed an interest in music and began taking piano lessons from a local church organist named Vinot. From 2007, this is a modern biography which does not quite completely eliminate the importance of earlier studies, mainly those by Pierre-Daniel Templier (in French 1932, English translation 1969) Erik Satie or Rollo H. Myers (in English 1948) Erik Satie. Satie was also a pianist of some ability. 1902 Librettist Vincent Hyspa (1865-1938) Language French Composer Time Period Comp. Our editors will review what you’ve submitted and determine whether to revise the article. After his mother (born J… His father had been in the shipping business, but the family then moved to Paris. Erik is op Honfleur in Normandië gebore; sy kinderhuis aldaar is nou oop vir die publiek. Recommended". Later, he moved with his family to Paris, where he became a translator. Satie did not publish the work in his lifetime, and is not known ever to have performed or mentioned it. He is mainly remembered today for the strange ways he behaved. 27 (1958), again in facsimile. Best remembered for several groups of piano pieces, including Trois Gymnopédies (1888), Trois Sarabandes (1887) and Trois Gnossiennes (1890), he was championed by Jean Cocteau and helped create the famous group of French composers, Les Six, which was fashioned after his artistic ideal of simplicity in the extreme. When he was four years old, his family moved to Paris, his father (Alfred), having been offered a translator's job in the capital. The works are for the most part in free time (lacking time signatures or bar divisions) and highly experimental with form, rhythm and chordal structure. His works and his attitude toward music anticipated developments of the next generation of composers. Period: Early 20th century: Piece Style Modern: Instrumentation Voice and Cabaret Orchestra External Links The Lied, Art Song, and Choral Texts Archive His ballet Parade (1917; choreographed by Léonide Massine, scenario by Jean Cocteau, stage design and costumes by Pablo Picasso) was scored for typewriters, sirens, airplane propellers, ticker tape, and a lottery wheel and anticipated the use of jazz materials by Igor Stravinsky and others. He had one brother, Conrad Satie. In 1925, Satie developed pleurisy, and his fragile health worsened. Articles from Britannica Encyclopedias for elementary and high school students. Later the School of Arcueil, a group including Darius Milhaud, Henri Sauguet, and Roger Désormiere, was formed in his honour. Best remembered for several groups of piano pieces, including Trois Gymnopédies (1888), Trois Sarabandes (1887) and Trois Gnossiennes (1890), he was championed by Jean Cocteau and helped create the famous group of French composers, Les Six, which was fashioned after his artistic ideal of simplicity in the extreme. He was taken to St. Joseph Hospital, where continued to live for several months. Satie’s ballet Relâche (1924) contains a Surrealistic film sequence by René Clair; the film score Entr’acte, or Cinéma, serves as an example of his ideal background, or “furniture,” music. Satie was dismissed as a charlatan by musicians who misunderstood his irreverence and wit. Relevante no cenário de vanguarda parisiense do começo do século XX, foi o precursor de movimentos artísticos como minimalismo, música repetitiva e teatro do absurdo. Satie studied at the Paris Conservatory, dropped out, and later worked as a café pianist. After Satie's second period of study, he began turning more serious in his compositions, eventually producing his inspiring cantata, Socrate, considered by many his greatest work and clearly demonstrating a previously unexhibited agility. His father Jules Alfred Satie initially worked as a ship broker. His youth was spent alternating between Honfleur, Basse-Normandie, and Paris. His last, completely serious piano works are the five Nocturnes (1919). They also deplored the nonmusical influences in his life—during his last 10 years his best friends were painters, many of whom he had met while a café pianist. From 1898 he lived alone in Arcueil, a Paris suburb, cultivating an eccentric mode of life and permitting no one to enter his apartment. By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. Œuvres principales Trois Gymnopédies (1888) Six Gnossiennes (1890-97) Trois morceaux en forme de poire (1911) Sports et Divertissements (1914) Parade (1917) Socrate (1919) modifier Éric-Alfred-Leslie Satie , dit Erik Satie , est un compositeur et pianiste français né à Honfleur le 17 mai 1866 et mort à Paris le 1 er juillet 1925 . Read Full Biography. He was a musical maverick who probably influenced Debussy and did influence Ravel, who freely acknowledged as much. The Gymnopédies ( French pronunciation: [ʒim.nɔ.pe.di] ), or Trois Gymnopédies, are three piano compositions written by French composer and pianist Erik Satie. Erik Satie was born in Honfleur to a French father and a Scottish mother. Closely allied to the Dada and Surrealist movements in art, it refuses to become involved with grandiose sentiment or transcendent significance, disregards traditional forms and tonal structures, and characteristically takes the form of parody, with flippant titles, such as Trois morceaux en forme de poire (1903; Three Pieces in the Shape of a Pear) and Embryons Desséchés (1913; Desiccated Embryos), and directions to the player such as “with much illness” or “light as an egg,” meant to mock works such as Debussy’s preludes. Erik Satie (oik.Éric Alfred Leslie Satie; 17. toukokuuta 1866 Honfleur – 1. heinäkuuta 1925 Pariisi) oli ranskalainen säveltäjä ja avantgardisti. His new wife was a pianist and sent young Eric to have piano lessons at the P… Mini Bio (1) Erik Satie was born on May 17, 1866 in Honfleur, Calvados, France as Erik Alfred Leslie-Satie. Erik Satie, original name in full Eric Alfred Leslie Satie, (born May 17, 1866, Honfleur, Calvados, France—died July 1, 1925, Paris), French composer whose spare, unconventional, often witty style exerted a major influence on 20th-century music, particularly in France. He sought to strip pretentiousness and sentimentality from music and thereby reveal an austere essence. Biography; Erik Satie Erik Satie. Erik Satie, original name in full Eric Alfred Leslie Satie, (born May 17, 1866, Honfleur, Calvados, France—died July 1, 1925, Paris), French composer whose spare, unconventional, often witty style exerted a major influence on 20th-century music, particularly in France. About 1917 the group of young composers known as Les Six adopted him as their patron saint. Erik Satie (1866–1925) was a French composer and pianist. 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